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Meeting the Man in the Moon

Por Peterpank @castguer

Meeting the Man in the Moon

(Image: “the Man in the Moon” by Daniel Merriam)

 “The hermit doesn’t sleep at night, in love with the blue of the vacant moon. The cool of the breeze that rustles the trees rustles him too.”

     When I was a lad, my parents often spoke of moons and insisted that I share in their gawk and wonder. But Hall and Margy were still young, filled with romance, and certain of a better tomorrow. That child’s moon is one of the few images that remains … and reappears not to haunt, nor evoke melancholy, but to remind.

     My mother is now a memory, and sadly one that few can any longer conjure. Gazing out the sunroom window at tonight’s Blue Moon, I see Margy at thirty. She takes my hand as we carefully climb out my bedroom window, to sit on the roof’s banquette. The conversation is now lost but that night is still clear. I still feel the brisk chill and the frisson of such a rooftop caper, albeit sanctioned and not one of misbehavior. That, my friends, was the evening I first met the “man in the moon” … well rather, I was able to discern his jolly face.

     Of course, being a five year old, I was given nevertheless to some primal stereotypes. I have since discovered that the “man in the moon” is most likely a woman (thank you, Bea Arthur) and that, in her infinite wisdom and most strategic of panoramas, she was probably pouting or reacting to some misstep of humanity with disdain. But that night in Chapel Hill, she was beaming right at me, neither glibly nor in mockery. I remember that face well for it has long since guarded my imagination and late night flights.

     It is now almost five decades since that Autumnal night. I have since learned and forgotten all the discourse on phases, tides, crescents, and orbits. Like most of us, I take my lunar reverence lightly, only shallowly looking to the dark sky when it suits me. I may walk into the my garden late at night, guided by the moon’s shimmer and the pathway it casts. Yet, I rarely look up. Despite its lunar grandness, even the tenuous blooms of spring usually blossom with more fanfare. Except, of course, when the mood or need arises unexpectedly or when I pointedly seek out the face of an old friend.

     Tonight, I yearn for such comfort and nostalgia. I crave the moon.

     Mind you, I am not jaded: I am well aware of each view’s uniqueness. The moon may be the same but its very angle and the haze through which I peer are never precise … nor are they identical. When its phase has so deemed, each moon debuts, like some “inner” galactic newborn. Tonight’s is indeed the “Gerber baby” of such faces. It is round and plump, with perfect cheeks and arched brows.

     It’s that very face I remember from when Margy and I were on the roof that night back in ’62. And it seems as though my friend recognizes me as well. As I look out the window again it is positioned clearly above the pine trees no longer struggling for a clear view … as if shouting: “It’s me. It’s me! Don’t you recognize me, Mark?”

     I’d know that moon anywhere, my friends, but I wonder how many I have forgotten.

Music :

Seigen Ono Ensemble – In Montreux


song : Mattatoio


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